| TIFFANY OWNBEY |
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| PAPIER MACHE SCULPTURE |
| DEFENSIVE GIRL 18"x 8"x 6" |
| TEACUP ARMY approximately 12" tall |
| SCOOTER BOY 01 48"x 13"x 24" |
| A GOOD DISGUISE 26"x 6"x 6" |
| “Evolving out of a ceramic background, Tiffany Ownbey’s newest work is a culmination of decades of exploration and inspiration. The artist attests that she enjoys the immediacy and flexibility of her newest series, borrowing images and ideas from her previous work. Certainly sculpture, the pieces attract those interested in folk, figure and irreverence. The literal titles of many pieces become almost a punch line when coupled with these straight-from-the-hip recycled creations. The simplicity of the work, however, still allows breathing room for viewer interpretation. The result is a body of award winning work that has found its way into collections nationwide. Using almost entirely reclaimed materials, the sculptural work Tiffany Ownbey creates feels both familiar and totally new. A host of molds are used, acquired from anything that creates an unusual shape: old dolls, mannequins and inflatables. These molds are layered with reclaimed papers selected for their color, image and weight. Antique sewing patterns, old books, bibles, cap gun papers, Chinese play money and fruit wrappers are just a few of the materials incorporated. In pure collage tradition, no additional pigment or painting is used in the creation. All components are utilized for the existing imprint and hue. The hollow shapes are then joined in a true folk manner, direct and often with exaggerated and exposed joints. The final assemblage is put together with more paper and found objects in infinite variation. The resulting sculptures, speak to both doll and figure, old and new, playful and macabre. They are lively, surprising and colorful without over stepping. The integration of antique toys and props allows for humor and levity while the execution is nothing but high art expertise. Whether presented alone or in groups, Ownbey’s work is strong and distinctive. It is no wonder that individuals and museums alike have sought out this distinct artwork.” web review 09/07 by Trinity Behrends |
